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Pause for Applause!
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for media reviews of work as a pdf file.
"Willy Maley is an ebullient, schtreet-schmart, Derrida-reading
facilitator of so much modern Scottish literature, as head of creative
writing at Glasgow University. He's also a pal I don't make enough
of (New Year resolution No. 303). But after denying himself the
right for years, he's now writing himself, and the results are as
impressive as I would have expected. (BTW, his Glaswegian dad fought
in the Spanish Civil War as an anti-Fascist communist, so you can
imagine that in the West of Scotland, Maley can dine out on that
forever)."
Pat Kane, musician, writer and activist
"Trickster,
enthusiast, wily wordsmith, potent punner, speed-talker, scholar,
encyclopaedist (with much between the lugs), Maley is the warm-hearted
dynamo that nestles at the centre of so much that is good about
Scotland and its writing. No-one can match him for sheer energy
and generosity of spirit, for his wild spinning of first class ideas,
for the recognition, joy and encouragement he brings to new work
and new writing. If he didn't exist it would be necessary to invent
him, though how one would go about getting the recipe is anyone's
guess. Most of all, it's the democratic spirit he brings to art
and to life which is so necessary and meaningful. If he was a sign
in Scottish semiotics he would read: THE FUTURE IS NOW!"
Marc Lambert, CEO Scottish Book Trust
"Willy Maley is Glasgow University's finest literary cheerleader,
a great supporter of writers at all stages of development, and was
key in encouraging me long before I showed any real promise. Without
Willy, me and others like me may never have become writers at all.
But as well as being a fantastic talent-spotter and teacher he is
also the University's High Master of Bad Puns, something I thoroughly
disapprove of!"
Rodge Glass, biographer of Alasdair Gray
"I
think of Willy as the reader par excellence. He's read all my books
in their various draft stages, and his observations have always
been trenchant, but it's more than that; I don't know anyone else
so well and widely read. Willy has a kind of Rolodex brain: pick
a subject and he'll flick through his internal card index and name
the key works to consult. Five minutes with Willy, and your research
horizons have already expanded. My prediction: come the middle of
the century, he'll be the linking element in any number of literary
biographies."
Rachel
Seiffert - Author of The Dark Room
"When
I first met Willy Maley, I suspected there were a few screws missing.
Now I KNOW the missing screw toll to be very high indeed. But what
a charming man, despite his many quirks. I will never forget the
first day of the MPhil in Creative Writing - meeting the tutors
and students. That was when I had my first encounter with Greatness.
Then I met Willy Maley! boom boom! and was lucky enough
to secure his services as my tutor.
When I first went to University, decades ago- I was in a bit of
a state, drunk morning noon and night. When I sat my final English
exam, my tutor hissed: "I didn't know you were doing English."Thirty
years later, I, literally, could not wait to get to my tutorials
with Prof Maley. I always arrived exactly one hour before, sat in
the café beneath his old room and prepared myself.
OK, I admit, I have always liked the younger man, as Willy was back
then, in 2005, nothing but a black-bearded manboy with a gold-hoop
earring. So much can change in the space of three short years.
No matter.
He helped me begin to believe in myself; in the writing I was so
desperate to do. He listened, he encouraged, he never talked down
to me. Here was an academic who spoke my language. No matter how
unpleasant the ramblings of my painful past, Willy forced me to
jot them all down in book form.
I never expected to have (my book) Mother's Ruin published. Nor
did I expect my life to turn out as happily as it seems to be doing
at the moment. Professor Maley had more to do with all of this than
he will ever really know.
Nicola Barry, author of Mothers Ruin |
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"As
a creative writing tutor, Willy Maley is endlessly generous
with his time and wonderfuly supportive of his current and
former students. He has a sharp critical eye and a huge range
of knowledge about writing. Willy is wonderful at making connections;
rather than tell you what's wrong he does it by pointing you
in he direction of someone who got it right. When I was struggling
with an ending he suggested I go and read a particular short
story, very different from mine. Immediately I understood
what was wrong. I am eternally grateful for Willy's encourgement
and help."
Anne Donovan author of Buddha Da
"I was demolishing a peatshed in Orkney, in my mother's
garden, when I got an e-mail from Willy telling me I should
send my novel to Penguin. If I'd been at my desk in Glasgow,
reticence would have kicked in: What novel? It's not ready
to send out. His timing was great - the sledgehammer worked
as effectively on my inhibitions as it did on the shed. It
is one of Willy's great skills that he sees the opportunities
for writers to publish their work, before they do themselves.
He represents the missing parts of many writers' personalities
- the extrovert, upbeat, optimistic bits - that they need
when they emerge blinking into the light from self-imposed
isolation and introspection and wonder what to do with what
they've written. For a professor on the Creative Writing course,
this is an extremely valuable, occasionally maddening attribute.
Many times during and since my time on the course, Willy and
I have had robust discussions - and sometimes fierce disagreements
- about politics, literature, the nature of the course, among
other things. Thanks to his passionate engagement with all
of these (often masked by terrible puns!) we've never managed
to fall out - yet ..."
Alison Miller - Author of Demo |
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